The Counterfeiters was first published in Paris in 1926, although its French author, André Gide (1869–1951), began the three-part novel in 1922. A winner of the 1947 Nobel Prize in literature, Gide considered The Counterfeiters his only true novel. Its… Read More ›
Andre Gide
The Sociology and Aesthetics of Film Adaptation
THE SOURCES OF FILMS Frequently the most narrow and provincial area of film theory, discourse about adaptation is potentially as far-reaching as you like. Its distinctive feature, the matching of the cinematic sign system to prior achievement in some other… Read More ›
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