THE SOURCES OF FILMS Frequently the most narrow and provincial area of film theory, discourse about adaptation is potentially as far-reaching as you like. Its distinctive feature, the matching of the cinematic sign system to prior achievement in some other… Read More ›
Andre Bazin
Emmanuel Levinas: Philosophy, Photography and Film
Emmanuel Levinas is among the least obvious of twentieth-century philosophers to feature in a volume devoted to philosophy of film. From a philosophical grounding in the phenomenology of Edmund Husserl and Martin Heidegger that remained an important influence throughout his career,… Read More ›
You must be logged in to post a comment.