Whether one reads A Doll’s House as a technical revolution in modern theater, the modern tragedy, the first feminist play since the Greeks, a Hegelian allegory of the spirit’s historical evolution, or a Kierkegaardian leap from aesthetic into ethical life,… Read More ›
Henrik Ibsen (20 March 1828 – 23 May 1906) is widely acknowledged as the father of modern drama, but his significance in literature and history overshadows the influence of his revolutionary stage techniques and his iconoclastic concept of the theater…. Read More ›
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