Between 1922 and 1943 Italy was ruled by a fascist dictatorship which used mainstream cinema as a means of disseminating officially sanctioned conceptions of national identity. A national regulatory body, the Direzione Generale della Cinematografica, was established in 1934 in… Read More ›
A Day in the Country
The Sociology and Aesthetics of Film Adaptation
THE SOURCES OF FILMS Frequently the most narrow and provincial area of film theory, discourse about adaptation is potentially as far-reaching as you like. Its distinctive feature, the matching of the cinematic sign system to prior achievement in some other… Read More ›
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