William H. Gass is an eminent theorist and practitioner of postmodern metafiction, self-reflexive, performative fictions that emphasize the writing process itself by directing the reader’s attention to the author’s shaping presence in the showy deployment of literary strategies and conventions…. Read More ›
Tim O’Brien’s “How to Tell a True War Story” is an often-anthologized metafictional short story that provides, among many surprises, an important literary representation of the Vietnam War and the trauma it inflicted upon individuals. The story is part commentary… Read More ›
Kurt Vonnegut is celebrated more for his longer fiction than for his short stories. Nonetheless, Vonnegut’s “Harrison Bergeron,” originally published in the Magazine of Fantasy and Science in October 1961, and currently available in the author’s collection, Welcome to the… Read More ›
Lou Epstein, the eponymous narrator of “Epstein,” is having a hard time. At age 59, he finds himself experiencing a postmidlife crisis. His once-beautiful wife, Goldie, sags and nags; his daughter, Sheila, “a twenty-three-year old woman with ‘a social conscience!’… Read More ›
Thomas Pynchon’s early short story “Entropy” heralds many of the thematic concerns and stylistic features that were to make his novels The Crying of Lot 49, V., and Gravity’s Rainbow central to the canon of American Postmodernism. Most notable of… Read More ›
After the publication of his masterpiece, Slaughterhouse-Five, however, the work of Kurt Vonnegut (1922 – 2007) received increasingly serious critical commentary. He emerged as a consistent commentator on American culture through the second half of the twentieth century. His short… Read More ›
From the beginning of his career as a writer, John Updike (March 18, 1932 – January 27, 2009) demonstrated his strengths as a brilliant stylist and a master of mood and tone whose linguistic facility has sometimes overshadowed the dimensions… Read More ›
Robert Coover’s (born February 4, 1932) central concern is the human being’s need for fiction. Because of the complexity of human existence, people are constantly inventing patterns that give them an illusion of order in a chaotic world. For Coover,… Read More ›
Christopher Durang (born January 2, 1949) belongs to the postmodernist wave of American playwrights who emerged during the 1970’s, including A. R. Gurney, Jr., Tina Howe, and Sam Shepard. These writers fused the experimental techniques of the structuralist theater experiments… Read More ›
The fictional world of Mario Vargas Llosa is one of complex novels, of murals of characters, of actions whose significance the reader must determine, of vast edifices that aspire to become total realities. Vargas Llosa’s vision of reality is consistently… Read More ›
If it is true that writers and artists should spend their entire lives and careers investigating, examining, and trying to understand the same themes, then Haruki Murakami (born January 12, 1949) is a prime example of how to do this… Read More ›
Although Günter Grass’s (1927 – 2015) novel The Tin Drum forms the first part of the Danzig Trilogy and shares some characters, events, and themes with Cat and Mouse and Dog Years, the novel was conceived independently and can be discussed… Read More ›
A common link among Kazuo Ishiguro’s (born 8 November 1954) novels is the prominence of the first-person narrator, through whose meandering thoughts the story unfolds. Readers soon discover, however, that these central voices are rather unreliable in their accounts of… Read More ›
Many Western readers, ignorant of Islam and Hinduism, the 1947 partition of the Indian subcontinent and the creation of Pakistan, the India-Pakistan war of 1965, and the Pakistani civil war of 1974, may tend to read Salman Rushdie’s (born 19… Read More ›
Gabriel García Márquez (1927 – 2014) denies that the fictional world he describes in his novels is a world of fantasy. In an article about fantasy and artistic creation in Latin America, he concludes: “Reality is a better writer than… Read More ›
None of Milan Kundera’s novels fits into the traditional concept of the novel. Each is an experimental foray into the unknown, although well prepared and supported by the literary legacy of Jaroslav Hašek, Karel Capek, and Vancura. This is particularly… Read More ›
Iconoclastic and irreverent, the postmodern novel is by definition a radical experiment that emerges when a writer feels the customary tropes of fiction have been exhausted. For the postmodernist, the well-worn genre of the novel is insufficient and no longer… Read More ›
After a few minutes of reading stories that are not selfreflexive, readers sometimes forget what they are doing and feel transported into the world of the book. Considering this experience naïve, authors of self-reflexive fictions thwart it by such devices… Read More ›
To understand some of the ideas behind the counterculture revolution is to understand Ken Kesey’s (1935 – 2001) fictional heroes and some of his themes. Originating with the 1950’s Beat generation, the 1960’s counterculture youth were disillusioned with the vast… Read More ›
The play of fear and laughter has been inscribed in Gothic texts since their inception, an ambivalence that disturbs critical categories that evaluate their seriousness or triviality. The uncertainty perpetuates Gothic anxieties at the level of narrative and generic form,… Read More ›
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