Twentieth-century literary criticism and theory has comprised a broad range of tendencies and movements: a humanistic tradition, descended from nineteenth-century writers such as Matthew Arnold and continued into the twentieth century through figures such as Irving Babbitt and F. R…. Read More ›
While he was teaching at the University of California, Berkeley, Greenblatt helped to found a journal called Representations, in which some of the earlier important New Historicist criticism appeared. As mentioned earlier, however, it was his introduction to The Power… Read More ›
A term coined by Raymond Williams and popularised by Jonathan Dollimore and Alan Sinfield (in their collection of essays Political Shakespeare), Cultural Materialism refers to a Marxist orientation of New Historicism, characterised by the analysis of any historical material within… Read More ›
The anti-establishment ethos of New Historicism wasprofoundly influenced by Foucault‘s theories of Power/Knowledge and Discourse. Foucault observed that the discourse of an era brings into being concepts, oppositions and hierarchies, which are products and propagators of power, and these determine… Read More ›
New Historicism envisages and practises a mode of study where the literary text and the non-literary cotext are given “equal weighting”, whereas old historicism considers history as a “background” of facts to the “foreground” of literature. While Old historicism follows… Read More ›
Stephen Greenblatt, in his Renaissance Self-Fashioning: From More to Shakespeare (1980) studies the sixteenth-century life and literature that spawned a new era of scholarly inquiry. Greenblatt examined the structure of selfhood as evidenced in major literary figures of the… Read More ›
Louis Montrose, in Professing the Renaissance: The Poetics and Politics of Culture claimed that New Historicism deals with the “textuality of history and the historicity of texts.” While “historicity of texts”refers to the “cultural specificity and social embedment of all… Read More ›
