Nothing happens in Endgame and that nothing is what matters. The author’s feeling about nothing also matters, not because it is true or right but because it is a strongly formed attitude, a felt and expressed viewpoint. . . …. Read More ›
Modernism
Analysis of Samuel Beckett’s Waiting for Godot
It is the peculiar richness of a play like Waiting for Godot that it opens vistas on so many different perspectives. It is open to philosophical, religious, and psychological interpretations, yet above all it is a poem on time, evanescence,… Read More ›
Imagism in Poetry
Imagism is a term associated with an eclectic group of English and American poets working between 1912 and 1917, among them some of the most important writers in English of the first half of the 20th century: Ezra Pound, Amy… Read More ›
Deep Image Poetry
Deep image poetry was part of the post–World War II, New American poetry inspired by the Beats and the Black Mountain School. The “deep” of deep image refers not to some attempt at political or philosophical “profundity” but to the… Read More ›
Analysis of T. S. Eliot’s What Is Minor Poetry?
In 1956, Eliot published On Poetry and Poets, his first major compilation of previously published essays since Selected Essays in 1932. Among the essays collected in the later volume is “What Is Minor Poetry?,” which Eliot had first delivered as… Read More ›
Analysis of T.S. Eliot’s Religion and Literature
Another essay from that period in Eliot’s career as a social and literary critic when he was staking out the parameters of his conservative views, Religion and Literature was originally from a lecture organized by the Reverend V. A. Demant… Read More ›
Analysis of T.S. Eliot’s Portrait of a Lady
Composed during the same period of early creative energy, innovation, and experimentation of 1910–11 that produced The Love Song of J. Alfred Prufrock, “Rhapsody on a Windy Night,” and “Preludes,” with which it was later collected in his first major… Read More ›
Analysis of T.S. Eliot’s Idea of a Christian Society
In his preface, Eliot succinctly summarizes his aim and his hopes for this work, itself the published result of three lectures that he had delivered at Corpus Christi College, Cambridge, in March 1939 at the invitation of the Boutwood Foundation…. Read More ›
Analysis of T.S. Eliot’s What Is a Classic?
This essay was presented in 1944 as the Presidential Address to the Virgil Society, then published by Faber & Faber in 1945, and finally collected in On Poetry and Poets in 1956. Eliot begins his remarks by moving straight to… Read More ›
Analysis of T.S. Eliot’s Use of Poetry and the Use of Criticism
On September 17, 1932, Eliot set sail from England, where he had been in residence virtually nonstop since the late summer of 1915, to assume for the coming academic year the Charles Eliot Norton professorship at his alma mater, Harvard… Read More ›
Analysis of T.S. Eliot’s Love Song of J. Alfred Prufrock
No poet in memory has ever had quite so spectacular a debut as the young T. S. Eliot when his poem The Love Song of J. Alfred Prufrock was first published in Poetry magazine in 1915, thanks in large part… Read More ›
Analysis of T. S. Eliot’s Ash Wednesday
There is perhaps no poem of T. S. Eliot’s that is as deceptively complex as “Ash-Wednesday.” Like many of Eliot’s other works from the period following the publication of The Waste Land in late 1922 and the renown that it… Read More ›
Analysis of T.S. Eliot’s The Waste Land
Nothing could have prepared either the literary world in general or the curious reader who had been following Eliot’s career to date for the publication, in late 1922, of The Waste Land. Published in October of that year in Eliot’s… Read More ›
Analysis of Virginia Woolf’s Stories
Perhaps related to her mental condition is Virginia Woolf’s (25 January 1882 – 28 March 1941) interest in perception and perspective, as well as their relationship to imagination, in many stories. In two short avant-garde pieces—“Monday or Tuesday” (six paragraphs)… Read More ›
Analysis of Katherine Mansfield’s Stories
Katherine Mansfield’s (14 October 1888 – 9 January 1923) themes are not hard to discover. In 1918, she set herself the tasks of communicating the exhilarating delicacy and peacefulness of the world’s beauty and also of crying out against “corruption.”… Read More ›
Analysis of D. H. Lawrence’s Stories
D. H. Lawrence’s (11 September 1885 – 2 March 1930) early stories are set, except for “The Prussian Officer,” in the English Midlands; their plot and characters are a thinly veiled autobiography and are built on incidents that Lawrence would… Read More ›
Analysis of James Joyce’s Stories
In August, 1904, James Joyce (2 February 1882 – 13 January 1941) wrote to his friend C. P. Curran: “I am writing a series of epicleti. . . . I call the series Dubliners to betray the soul of that… Read More ›
Analysis of Daphne Du Maurier’s Novels
The theatrical quality of du Maurier’s (13 May 1907 – 19 April 1989) novels is evidenced by the frequency and reported ease with which her works were adapted for the big screen. Alfred Hitchcock directed film versions of Jamaica Inn,… Read More ›
Analysis of Virginia Woolf’s Novels
From the appearance of her first novel in 1915, Virginia Woolf’s work was received with respect—an important point, since she was extremely sensitive to criticism. Descendant of a distinguished literary family, member of the avant-garde Bloomsbury Group, herself an experienced… Read More ›
Analysis of Bertolt Brecht’s Plays
Bertolt Brecht’s (10 February 1898 – 14 August 1956) early dramas are anarchic, nihilistic, and antibourgeois. In them, he glorifies antisocial outsiders such as adventurers, pirates, and prostitutes; the tone of these works is often cynical. In the years after… Read More ›