The theatrical quality of du Maurier’s (13 May 1907 – 19 April 1989) novels is evidenced by the frequency and reported ease with which her works were adapted for the big screen. Alfred Hitchcock directed film versions of Jamaica Inn,… Read More ›
From the appearance of her first novel in 1915, Virginia Woolf’s work was received with respect—an important point, since she was extremely sensitive to criticism. Descendant of a distinguished literary family, member of the avant-garde Bloomsbury Group, herself an experienced… Read More ›
Human loss, disappearance, allocation of responsibility, anguish, and futility stand out as the main issues that figure in Kōbō Abe’s (March 7, 1924 – January 22, 1993) writings. At first, Abe treated such matters mostly in a serious way. Gradually,… Read More ›
E. M. Forster’s (1 January 1879 – 7 June 1970) most systematic exposition of the novelist’s art, Aspects of the Novel, is no key to his own practice. Written three years after the publication of A Passage to India, the… Read More ›
Most of Charles Bukowski’s writing examines his life as a drunk, drifter, gambler, loner, and unemployed and unemployable creature of habit. As noted in many documentaries, biographies, and accounts of Bukowski’s life, however, he also had a gentle side. As… Read More ›
The reader interested in understanding any of the works of Nikos Kazantzakis would do well to begin by reading Salvatores Dei: Asketike (1927; The Saviors of God: Spiritual Exercises, 1960). In this short philosophical expostulation, Kazantzakis expresses succinctly his strange… Read More ›
In The Courage to Be (1952), Paul Tillich asserts that “the decisive event which underlies the search for meaning and the despair of it in the twentieth century is the loss of God in the nineteenth century.” Most critics of… Read More ›
Analysis D. H. Lawrence occupies an ambiguous position with respect to James Joyce, Marcel Proust, T. S. Eliot, and the other major figures of the modernist movement. While on one hand he shared their feelings of gloom about the degeneration… Read More ›
Two persistent themes animate all of Albert Camus’s writing and underlie his artistic vision: One is the enigma of the universe, which is breathtakingly beautiful yet indifferent to life; the other is the enigma of man, whose craving for happiness… Read More ›
It was a matter of some pleasure to Samuel Beckett (13 April 1906 – 22 December 1989) that his work resists explication. His most important novels and plays are artfully constructed contemplations on their own form rather than commentaries on… Read More ›
The name Franz Kafka (3 July 1883 – 3 June 1924) conjures up images of a world without a center, of people alienated both from society and from themselves. Kafka lived at the threshold of the modern technological world, and… Read More ›
One way to understand the modern novel is to show its development in the work of writers such as Joseph Conrad, Marcel Proust, James Joyce, Virginia Woolf, Franz Kafka, and William Faulkner. This list is by no means exclusive, but… Read More ›
Murder in the Cathedral is a historical fiction play with strong Christian themes by the American-born British writer T.S. Eliot. It was first performed in Canterbury Cathedral on June 15, 1935 as part of the annual Canterbury Festival. The play is inspired by the… Read More ›
When William Faulkner (1897-1962) accepted the Nobel Prize in December, 1950, he made a speech that has become a justly famous statement of his perception of the modern world and of his particular place in it. In the address, Faulkner speaks… Read More ›
Most contributions to the debate on postmodernism agree that whatever else it is or might be, postmodernism has something to do with the development of popular culture in the late twentieth century in the advanced capitalist democracies of the West…. Read More ›
Modernism comprised a broad series of movements in Europe and America that came to fruition roughly between 1910 and 1930. Its major exponents and practitioners included Marcel Proust, James Joyce, Ezra Pound, T. S. Eliot, William Faulkner, Virginia Woolf, Luigi… Read More ›
Twentieth-century literary criticism and theory has comprised a broad range of tendencies and movements: a humanistic tradition, descended from nineteenth-century writers such as Matthew Arnold and continued into the twentieth century through figures such as Irving Babbitt and F. R…. Read More ›
1 In The Owl, written in February 1915, three months before he enlisted, Edward Thomas characteristically sets himself on the open road: walking at night feeling hungry, cold and tired. When he enters an inn, though, the exterior world is… Read More ›
Kafka’s first novel, The Man who Disappeared (Der Verschollene), still better known in the English-speaking world at least under Max Brod’s title, Amerika, is set against the realist backdrop of the most modern and technologically advanced society in the world,… Read More ›
Postmodernism is a term applied to a variety of artistic, cultural and philosophical movements that arose as a result of modernism. While modernism frames itself as tahnedculmination of in response to Enlightenment‘s quest for authoritatively rational aesthetics, ethics and knowledge,… Read More ›
Postmodernism broadly refers to a socio-cultural and literary theory, and a shift in perspective that has manifested in a variety of disciplines including the social sciences, art, architecture, literature, fashion, communications, and technology. It is generally agreed that the postmodern… Read More ›
TS Eliot‘s The Waste Land, which has come to be identified as the representative poem of the Modernist canon, indicates the pervasive sense of disillusionment about the current state of affairs in the modern society, especially post World War Europe,… Read More ›
Existentialism is a term applied to the work of a number of philosophers since the 19th century who, despite large differences in their positions, generally focused on the condition of human existence, and an individual’s emotions, actions, responsibilities, and thoughts,… Read More ›
A term specifically applied to the work of late 19th century French writers who reacted against the descriptive precision and objectivity of realism and the scientific determinism of naturalism, Symbolism was first used in this sense by Jean Moreas in… Read More ›
Influenced by the poetic theory of TE Hulme and by the style of Japanese Haiku, Imagism emerged as a movement spearheaded by Ezra Pound, Hilda Doolittle, Amy Lowell and others, revolting against the looseness of texture of the Georgian poetry,… Read More ›
The dates of Modernism are disputable, it can be rightly claimed that nascent Modernism budded with the Avant-Garde (a military metaphor, meaning ‘advance guard’) which refers to a small, self-conscious group of artists and authors who deliberately undertook, in Ezra… Read More ›
“On or about December 1910 human nature changed.” – Virginia Woolf wrote in her essay Mr Bennett and Mrs. Brown in 1924. “All human relations shifted,” Woolf continued, “and when human relations change there is at the same time a change… Read More ›
Modernism, which emerged out of an “immense panorama of futility and anarchy“, rightly represented in Klee’s painting, The Angel of History, found its radical expression in literature through the techniques of impressionism and subjectivity as exemplified in the stream-of-consciousness method… Read More ›
Modernism was the first literary movement to take urban life as a given, as a form of experience that was categorically different from any other kind of life. Baudelaire was fascinated by the “flaneur”, the man who strolls the city… Read More ›
In an age that was wrought with scientism, technology and loss of spirituality, many of the major modernist writers realised and asserted the employment of integrative mythology in order to give “shape and significance” to the contemporary fragmented reality. The… Read More ›
In 1924, Virginia Woolf wrote, “On or about December 1910 human nature changed. All human relations shifted, and when human relations change there is at the same time a change in religion, conduct, politics and literature.” It was an era… Read More ›
The Chicago School of critics or the Neo-Aristotelians included professors of the departments of Humanities, University of Chicago, who were engaged in bringing about a radical transformation in an attempt to revive Humanities and make them institutionally more competitive with… Read More ›