The Counterfeiters was first published in Paris in 1926, although its French author, André Gide (1869–1951), began the three-part novel in 1922. A winner of the 1947 Nobel Prize in literature, Gide considered The Counterfeiters his only true novel. Its… Read More ›
French Literature
Analysis of Paul Bourget’s Cosmopolis
The French novel Cosmopolis, written in 1893 and translated into English the same year, is indicative of the earlier fiction of Paul Bourget (1852–1935), telling the story of a complicated love triangle set against the backdrop of Rome as the… Read More ›
Analysis of Colette’s The Cat
The popular author Colette (1873–1954) was born on January 28, 1873, in Saint-Sauveur-en-Puisaye, Burgundy, France. Author of more than 50 novels and numerous short stories, and articles for periodicals, she wrote from her early 20s through her mid-70s. This acclaimed… Read More ›
Analysis of Milan Kundera’s The Book of Laughter and Forgetting
Set in postwar Czechoslovakia in the aftermath of the Stalinist purges of World War II, The Book of Laughter and Forgetting is “a novel in the form of variations” that explores how totalitarianism affects individual and collective, national and personal,… Read More ›
Analysis of Joseph Zobel’s Black Shack Alley
Black Shack Alley is Keith Q. Warner’s English translation of the classic French novel La Rue Cases-Nègres by Joseph Zobel (1915–2006). The title of Zobel’s work means “Breaking Negroes [Slaves] Street.” Black Shack Alley is an autobiographical text that evolves… Read More ›
Stéphane Mallarmé and French Symbolism
It is no accident that references to the literary ideas and example of Stéphane Mallarmé (1842-98) abound in contemporary literary criticism and theory. The great French poet’s notoriously refined aestheticism and fervent devotion to language led him to expound a… Read More ›
Analysis of Jean Cocteau’s Novels
Twentieth century art in many areas is indebted to Jean Cocteau (5 July 1889 – 11 October 1963). His accomplishments span the artistic and literary activities of his times, the diversity unified by his vision of all art as facets… Read More ›
Analysis of Jean Genet’s The Balcony
His plays are concerned with expressing his own feeling of helplessness and solitude when confronted with the despair and loneliness of man caught in the hall of mirrors of the human condition, inexorably trapped by an endless progression of images… Read More ›
Analysis of Samuel Beckett’s Endgame
Nothing happens in Endgame and that nothing is what matters. The author’s feeling about nothing also matters, not because it is true or right but because it is a strongly formed attitude, a felt and expressed viewpoint. . . …. Read More ›
Analysis of Georges Feydeau’s A Flea in Her Ear
Farce is tragedy played at about a hundred and twenty revolutions a minute. The story of Othello and the plot of Feydeau’s Puce à l’Oreille have a striking similarity. Desdemona’s lost handkerchief and Victor Emmanuel Chandebise’s missing braces both give… Read More ›
Analysis of Molière’s Tartuffe
Whenever evoked in a modern or a postmodern cultural context, even outside France, Tartuffe still carries with it a considerable amount of polemical baggage. It may be argued that it delves far closer to the level of persistent cultural preoccupation… Read More ›
Analysis of Gustave Flaubert’s Stories
Gustave Flaubert’s (12 December 1821 – 8 May 1880) Three Tales, published during the year 1877, when he was fifty-six years old, reflects the variety of styles of his literary production as a whole. “Un Coeur simple” (“A Simple Heart”)… Read More ›
Analysis of Guy de Maupassant’s Stories
Although his active literary career began in 1880 and lasted only ten years, Guy de Maupassant was nevertheless an extraordinarily productive writer whose short stories dealt with such diverse themes as war, prostitution, marital infidelity, religion, madness, cultural misunderstanding between… Read More ›
Romanticism in France
One of the founders of Romanticism, its so-called father, was the French thinker Jean-Jacques Rousseau, who espoused a return to nature and equated the increasing growth and refinement of civilization with corruption, artificiality, and mechanization. Rousseau’s Social Contract espouses democratic… Read More ›
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