Fyodor Dostoevski’s (11 November 1821 – 9 February 1881) creative development is roughly divided into two stages. The shorter pieces, preceding his imprisonment, reflect native and foreign literary influences, although certain topics and stylistic innovations that became Dostoevski’s trademarks were already… Read More ›
Most of Charles Bukowski’s writing examines his life as a drunk, drifter, gambler, loner, and unemployed and unemployable creature of habit. As noted in many documentaries, biographies, and accounts of Bukowski’s life, however, he also had a gentle side. As… Read More ›
Characterization is the foundation of C. P. Snow’s (15 October 1905 – 1 July 1980) fiction. While theme and idea, as one might expect from a writer as political and engagé as was Snow, are important to his work, and… Read More ›
Karel Capek (9 January 1890 – 25 December 1938) was a philosophical writer par excellence regardless of the genre that he employed in a given work, but the form of long fiction in particular afforded him the amplitude to express complicated philosophical… Read More ›
The search for self and for autonomy is the underlying theme of most of Angela Carter’s ) ( 7 May 1940 – 16 February 1992), fiction. Her protagonists, usually described as bored or in some other way detached from their… Read More ›
Buchi Emecheta’s (21 July 1944 – 25 January 2017) novels deal principally with the life experiences of Nigerian women, who are subordinated in an indigenous society deeply influenced by the Western values introduced by British colonists. Other Nigerian women, those… Read More ›
The reader interested in understanding any of the works of Nikos Kazantzakis would do well to begin by reading Salvatores Dei: Asketike (1927; The Saviors of God: Spiritual Exercises, 1960). In this short philosophical expostulation, Kazantzakis expresses succinctly his strange… Read More ›
Anita Brookner (16 July 1928 – 10 March 2016) established her reputation as a novelist with four books published in rapid succession from 1981 to 1984. Written in austerely elegant prose, each of these four novels follows essentially the same… Read More ›
The fictional world of Mario Vargas Llosa is one of complex novels, of murals of characters, of actions whose significance the reader must determine, of vast edifices that aspire to become total realities. Vargas Llosa’s vision of reality is consistently… Read More ›
Like other novelists in Africa during the years just before and after independence, Wole Soyinka faced the question of ethnic and cultural identity. The now notorious negritude movement, begun in the 1930’s, had attempted to promote a pan-African identity by… Read More ›
Leo Tolstoy’s literary works may be viewed as repeated assaults on Romantic conventions. His view, expressed numerous times throughout his diary, was that such conventions blind both writer and reader to reality. Thus, his goal was to construct a new… Read More ›
A knowledge of Iris Murdoch’s (15 July 1919 – 8 February 1999) philosophical and critical essays is invaluable for the reader wishing to understand her fiction. Her moral philosophy, which entails a rejection of existentialism, behaviorism, and linguistic empiricism, informs… Read More ›
Ngugi wa Thiong’o’s (born 5 January 1938) fiction, like that of many contemporary African novelists, is highly political: It portrays the traumatic transition from colonized culture to an independent African society. His novels illustrate with unmatched clarity the problems created by… Read More ›
Although contemporary South Africa is seldom mentioned or referred to explicitly in most of J. M. Coetzee’s (born 9 February 1940) novels, the land and the concerns of that country permeate his works. One may see this indirect approach as… Read More ›
Until 1991, when the last of South Africa’s apartheid laws was repealed, to be personally liberated and to be South African was to be doomed to a continuing struggle between the desire for further freedom and development for oneself and… Read More ›
In The Courage to Be (1952), Paul Tillich asserts that “the decisive event which underlies the search for meaning and the despair of it in the twentieth century is the loss of God in the nineteenth century.” Most critics of… Read More ›
D. H. Lawrence occupies an ambiguous position with respect to James Joyce, Marcel Proust, T. S. Eliot, and the other major figures of the modernist movement. While on one hand he shared their feelings of gloom about the degeneration of… Read More ›
If it is true that writers and artists should spend their entire lives and careers investigating, examining, and trying to understand the same themes, then Haruki Murakami (born January 12, 1949) is a prime example of how to do this… Read More ›
Although Günter Grass’s (1927 – 2015) novel The Tin Drum forms the first part of the Danzig Trilogy and shares some characters, events, and themes with Cat and Mouse and Dog Years, the novel was conceived independently and can be discussed… Read More ›
Two persistent themes animate all of Albert Camus’s writing and underlie his artistic vision: One is the enigma of the universe, which is breathtakingly beautiful yet indifferent to life; the other is the enigma of man, whose craving for happiness… Read More ›
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