Negating the Formalist notion of objective reality and autotelic text that nullifies the participation of the readers, Wolfgang Iser in The Implied Reader, follows the phenomenological theories of Husserl and Ingarden, and formulates two aspects of a literary work: the… Read More ›
Emmanuel Levinas is among the least obvious of twentieth-century philosophers to feature in a volume devoted to philosophy of film. From a philosophical grounding in the phenomenology of Edmund Husserl and Martin Heidegger that remained an important influence throughout his career,… Read More ›
Wolfgang Iser’s (1926-2007) theories of reader response were initially presented in a lecture of 1970 entitled The Affective Structure of the Text, and then in two major works, The Implied Reader (1972) and The Act of Reading (1976). After examining… Read More ›
The dream of recovering the complete or total meaning of a literary text, by re-imagining the author’s intentions, comes to an end with the work of Hans Georg Gadamer (1900–2002; instead… Read More ›
Twentieth-century literary criticism and theory has comprised a broad range of tendencies and movements: a humanistic tradition, descended from nineteenth-century writers such as Matthew Arnold and continued into the twentieth century through figures such as Irving Babbitt and F. R…. Read More ›
Reader Response, primarily a German and American offshoot of literary theory, emerged (prominent since 1960s) in the West mainly as a reaction to the textual emphasis of New Criticism of the 1940s. New Criticism, the culmination of liberal humanist ideals,… Read More ›
Unlike structuralism that derived from linguistics, poststructuralism owes its origin to philosophy, which as a discipline, always tends to emphasise the difficulty in achieving complete and secure knowledge about things. This point is encapsulated in Nietzsche’s famous remark: “There are… Read More ›
Jacques Derrida (1930-2004) came to prominence in the late 1960s and early 1970s with the publication of Of Grammatology (1967), Writing and Difference (1967) and Margins of Philosophy (1972). Derrida’s name is inextricably linked with the term ‘deconstruction‘. Largely because… Read More ›
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