Tragedy presupposes guilt, despair, moderation, lucidity, vision, a sense of responsibility. In the Punch-and-Judy show of our century . . . there are no more guilty and also, no responsible men. It is always, “We couldn’t help it” and “We… Read More ›
His plays are concerned with expressing his own feeling of helplessness and solitude when confronted with the despair and loneliness of man caught in the hall of mirrors of the human condition, inexorably trapped by an endless progression of images… Read More ›
Eliot first published the essay Hamlet and His Problems in Athenaeum on September 26, 1919, and subsequently the piece was collected in The Sacred Wood in 1920. SYNOPSIS In the essay, Eliot was ostensibly reviewing two recent books on William… Read More ›
In a period of just over thirty years (1663-1694), John Dryden (August 9, 1631 – May 12, 1700) wrote or coauthored twenty-eight plays, an output that made him the most prolific dramatist of his day. His amplitude remains even more remarkable… Read More ›
William Congreve’s (24 January 1670 – 19 January 1729) first play, The Old Bachelor, was an instant success; its initial run of fourteen days made it the most popular play since Thomas Otway’s Venice Preserved (pr., pb. 1682). The Double-Dealer… Read More ›
During his first period of playwriting (1963-1972), Lanford Wilson (April 13, 1937 – March 24, 2011) struggled to learn his trade—mainly in the convivial atmosphere of Off-Off-Broadway, where it did not matter if sometimes audiences did not show up. His… Read More ›
Arthur Miller (October 17, 1915 – February 10, 2005) has been acclaimed as one of the most distinguished American dramatists since Eugene O’Neill, the father of modern American drama. Because of his direct engagement with political issues and with the… Read More ›
William Wycherley’s (8 April 1641 – 1 January 1716) dramatic canon consists of only four plays, and his stature in English letters depends almost entirely on a single work, The Country Wife. In his own day, The Plain-Dealer was his… Read More ›
Michel Tremblay (born 25 June 1942) is part of a new generation of playwrights that emerged in Quebec during the 1960’s and 1970’s, a time of profound political and cultural change for this province. Led by Tremblay, these writers saw… Read More ›
Wendy Wasserstein (October 18, 1950 – January 30, 2006) has been hailed as the foremost theatrical chronicler of the lives of women of her generation. Her plays, steeped in her unique brand of humor, are moving, sometimes wrenching explorations of… Read More ›
To accuse Oscar Wilde (16 October 1854 – 30 November 1900) of anything so active-sounding as “achievement” would be an impertinence that the strenuously indolent author would most likely deplore. Yet it must be admitted that Wilde’s presence, poses, ideas,… Read More ›
Stephen Sondheim (born. March 22, 1930) was the most critically acclaimed figure in American musical theater during the last three decades of the twentieth century. Sondheim has won the Tony Award for Best Original Score five times, more than any… Read More ›
Tremendously influential in both Europe and the United States, August Strindberg (22 January 1849 – 14 May 1912) was begrudgingly praised by Henrik Ibsen as one who would be greater than he, and more generously lauded half a century later… Read More ›
Neil Simon (July 4, 1927 – August 26, 2018) has established himself as a leading American playwright of the late twentieth century. As a master of domestic comedy and one-line humor, his popular appeal was established early in his career…. Read More ›
Richard Brinsley Sheridan (30 October 1751 – 7 July 1816) was the best playwright of eighteenth century England, a time of great actors rather than great playwrights. Judged on theatrical rather than strictly literary merit, Sheridan also ranks with the… Read More ›
The first author ever to have had two plays (French Without Tears and While the Sun Shines) run for more than one thousand performances each on London’s West End, Terence Rattigan (10 June 1911 – 30 November 1977) was one… Read More ›
Ntozake Shange’s (October 18, 1948 – October 27, 2018) work embodies a rich confusion of genres and all the contradictions inherent in a world in which violence and oppression polarize life and art. These polarizations in Shange’s work both contribute… Read More ›
Few dramatists can lay claim to the universal reputation achieved by William Shakespeare. His plays have been translated into many languages and performed on amateur and professional stages throughout the world. Radio, television, and film versions of the plays in… Read More ›
Much of J. B. Priestley’s ((13 September 1894 – 14 August 1984)) drama explores the oneness of all human beings. That notion leads the dramatist to view individuals as members of a charmed or magic circle. The circle is continually… Read More ›
Christopher Durang (born January 2, 1949) belongs to the postmodernist wave of American playwrights who emerged during the 1970’s, including A. R. Gurney, Jr., Tina Howe, and Sam Shepard. These writers fused the experimental techniques of the structuralist theater experiments… Read More ›