The modernism movement has many credos: Ezra Pound’s exhortation to “make it new” and Virginia Woolf’s assertion that sometime around December 1910 “human character changed” are but two of the most famous. It is important to remember that modernism is… Read More ›
Dante’s Hell is a diorama of sin, enacted as both moral exhortation and poetic prophecy. Change is no longer possible here, and damnation is the irrevocable, total removal from God—a separation that is more terrible for being freely willed by… Read More ›
Written in the early summer of 1822, Shelley left “The Triumph of Life” unfinished when he died on July 8, 1822, when his boat Don Juan capsized. Indeed, Shelley had written part of the poem while sailing in this very… Read More ›
Written and published on October 4, 1821, “Adonais” memorializes the death of Shelley’s friend and fellow poet John Keats, whom he regarded as being one of the poets of “the highest genius” of the age. Keats died in Rome on… Read More ›
To a Skylark Hail to thee, blithe Spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest Like a cloud… Read More ›
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken… Read More ›
Ozymandias I met a traveller from an antique land, Who said—“Two vast and trunkless legs of stone Stand in the desert. . . . Near them, on the sand, Half sunk a shattered visage lies, whose frown, And wrinkled lip,… Read More ›
Ariel Stasis in darkness. Then the substanceless blue Pour of tor and distances. God’s lioness, How one we grow, Pivot of heels and knees!—The furrow Splits and passes, sister to The brown arc Of the neck I cannot catch, Nigger-eye… Read More ›
Lady Lazarus I have done it again. One year in every ten I manage it—— A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel… Read More ›
Daddy You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you…. Read More ›
Andrea del Sarto But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I’ll work… Read More ›
Fra Lippo Lippi [Florentine painter, 1412-69] I am poor brother Lippo, by your leave! You need not clap your torches to my face. Zooks, what’s to blame? you think you see a monk! What, ’tis past midnight, and you go the… Read More ›
My Last Duchess FERRARA That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now; Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit… Read More ›
One of the most famous poems in the English language, The Second Coming is the definitive vision of the Yeatsian apocalypse. It incorporates and intensifies ideas of cyclic creation and destruction already articulated in poems like “The Magi,” “On Woman,”… Read More ›
The Easter Rising of 1916 catalyzed the final phase of the Irish struggle for independence and forced Yeats to recant the stinging assessment of “September 1913” that “Romantic Ireland’s dead and gone, / It’s with O’Leary in the grave.” In… Read More ›
Snow (1916) The three stood listening to a fresh access Of wind that caught against the house a moment, Gulped snow, and then blew free again—the Coles Dressed, but dishevelled from some hours of sleep, Meserve belittled in the great… Read More ›
The speaker moves between two positions: belief and disbelief. He addresses the “Far star” that “tickles” his “sensitive plate” and whose heat is so intense that it can fry black atoms white. He refers to his body as his armor… Read More ›
In this dramatic monologue, a woman “servant” addresses a man who camps on the land she and her husband, Len, own. Several commentators have noted the similarity of the title to “and thou shalt be a servant of servants,” Noah’s… Read More ›
A Serious Step Lightly Taken (1942) Between two burrs on the map Was a hollow-headed snake. The burrs were hills, the snake was a stream, And the hollow7 head was a lake. And the dot in front of a name… Read More ›
The Self-Seeker (1914) “Willis, I didn’t want you here to-day: The lawyer’s coming for the company. I’m going to sell my soul, or, rather, feet. Five hundred dollars for the pair, you know.” “With you the feet have nearly been… Read More ›
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