In his 1979 study, Critical Understanding: The Powers and Limits of Pluralism, Booth argues that there are five ways of approaching novels, or literary texts. The critic James Phelan summarizes these as follows: as an imitation of the world external… Read More ›
In addition to their other works, the critic Wimsatt (1907–1975) and the philosopher Beardsley (1915–1985) produced two influential and controversial papers that propounded central positions of New Criticism, “The Intentional Fallacy” (1946) and The Affective Fallacy (1949). In the first of… Read More ›
Cleanth Brooks’ Concept of Language of Paradox
Language of Paradox
The seminal manifestos of the New Criticism was proclaimed by John Crowe Ransom (1888–1974), who published a series of essays entitled The New Criticism (1941) and an influential essay, “Criticism, Inc.,” published in The World’s Body (1938). This essay succinctly expresses a… Read More ›
New Critics attempted to systematize the study of literature, and develop an approach that was centred on the rigorous study of the text itself. Thus it was distinctively formalist in character, focusing on the textual aspects of the text such as rhythm, metre, imagery and metaphor, by the method of close reading, as against reading that on the basis of external evidences such as the history, author’s biography or the socio-political/cultural conditions of the text’s production. Although the New Critics were against Coleridge’s Impressionistic Criticism, they seem to have inherited his concept of the poem as a unified organic whole which reconciles its internal conflicts and achieves a fine balance.