Appearing in Washington Irving’s The Sketch Book of Geoffrey Crayon, Gent, “Rip Van Winkle” was an immediate popular success. In retrospect, it helped refute the infamous question posed by the British critic Sydney Smith: “Who, in the four corners of… Read More ›
It is instructive to note that the most pervasive structural characteristic of Mark Twain’s (November 30, 1835 – April 21, 1910) work, of his nonfiction as well as his fiction, is dualistic. That observation is not worth much without detailed… Read More ›
The myth about Sherwood Anderson—that in the middle of a successful advertising career he repudiated the moneymaking ethics and the regimentation of business in order to realize himself as a writer—has become part of our literary tradition, an ironic reversal… Read More ›
William H. Gass is an eminent theorist and practitioner of postmodern metafiction, self-reflexive, performative fictions that emphasize the writing process itself by directing the reader’s attention to the author’s shaping presence in the showy deployment of literary strategies and conventions…. Read More ›
Two strains pervade the poetry of Gregory Corso (March 26, 1930 – January 17, 2001): the Dionysian force of emotion and spontaneity, and a preoccupation with death. From Corso’s early poems to his later work, one finds the recurring persona… Read More ›
Many readers find Mark Twain (November 30, 1835 – April 21, 1910) most successful in briefer works, including his narratives, because they were not padded to fit some extraneous standard of length. His best stories are narrated by first-person speakers… Read More ›
Reader-response criticism can be traced as far back as Aristotle and Plato, both of whom based their critical arguments at least partly on literature’s effect on the reader. It has more immediate sources in the writings of the French structuralists… Read More ›
Critics of Rita Mae Brown (born November 28, 1944) often assert that she is too radical and too argumentative in her works. Others point out that she is dealing with a problem of acceptance that has been the plight of… Read More ›
The Spanish words picaresque and picaro achieved currency in Spain shortly after 1600. Today they are terms in literary criticism, sometimes misused because of the vague meaning attached to them. The revival of the genre in the twentieth century was… Read More ›
Aestheticism European literary movement, with its roots in France, that was predominant in the 1890’s. It denied that art needed to have any utilitarian purpose and focused on the slogan “art for art’s sake.” The doctrines of aestheticism were introduced… Read More ›
A distinctive literature about childhood has existed since the Victorian era, but not so about adolescence as a stage of life with its own integrity, concerns, and distinct problems. Teachers, librarians, and parents argue that the classics of world literature… Read More ›
Like British Catholic writer Graham Greene, Cormac McCarthy is reluctant to develop any optimistic themes. He is also reluctant about stating his themes, although some of his titles offer strong hints. For the most part, he merely tells his stories… Read More ›
Among Frederick Grove’s (February 14, 1879 – September 9, 1948) primary themes, the foremost is the issue of free will. Through his characters, Grove asks how much freedom anyone has in the face of often accidental but usually overwhelming pressures… Read More ›
Chinua Achebe (1930 – 2013) is probably both the most widely known and the most representative African novelist. He may very well have written the first African novel of real literary merit—such at least is the opinion of Charles Larson—and he deals… Read More ›
Sherwood Anderson (1876 – 1941) was not a greatly gifted novelist; in fact, it might be argued that he was not by nature a novelist at all. He was a brilliant and original writer of tales. His early reputation, which… Read More ›
Some of Mailer’s earliest writing, including “The Greatest Thing in the World,” a prizewinner in a 1941 Story magazine contest, reveals that even at a very early age he could write accomplished, imitative apprentice fiction in the modes of Ernest… Read More ›
Many people who have never read a single word of Raymond Chandler’s (1888–1959) recognize the name of his fictional hero Philip Marlowe. This recognition results in part from the wide exposure and frequent dilution Chandler’s work has received in media… Read More ›
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