An unseasonable short story that Bram Stoker wrote in 1893 for Holly Leaves (the Christmas number of the Illustrated Sporting and Dramatic News), “The Squaw” is set in Nuremberg, a city that Stoker had visited in 1885. A self-regarding, unnamed… Read More ›
First published in the Theatre Annual (1887), “The Dualitists,” frequently cited as demonstrating one of Bram Stoker’s favorite themes, male bonding, evokes a world of children’s adventure stories. As in much of Stoker’s fiction, the driving force grows out of… Read More ›
This story collected in the posthumously published Dracula’s Guest is about the power of the past to haunt the present. Bram Stoker also makes use of the plot device of the fatal return, a popular narrative in many 19th-century texts…. Read More ›
“The Lady of the House of Love,” a short story, was first published in Angela Carter’s 1979 collection The Bloody Chamber. Although The Bloody Chamber is composed mainly of retellings of fairy tales, “The Lady of the House” is a… Read More ›
Irish literature falls into two distinct categories. Written in the Irish language, the first category includes bardic poems and Celtic sagas. The second category, Irish literature written in English, includes what is often called Anglo-Irish literature because it was created… Read More ›
By the end of the nineteenth century, writers interested in exploring supernatural themes had abandoned the mode of gothic fiction pioneered by eighteenth century English novelist Horace Walpole. Walpole and his imitators had exploited such props as medieval ruins and… Read More ›
The play between mythological and modern significance, between mystical and scientific visions of horror and unity, sexuality and sacred violence, is focused in the figure of the vampire. In Mary Braddon’s ‘Good Lady Ducayne’ (1896) the vampire theme signals the… Read More ›
The gothic novel is a living tradition, a form that enjoys great popular appeal while provoking harsh critical judgments. It began with Horace Walpole’s The Castle of Otranto (1765), then traveled through Ann Radcliffe, Matthew Gregory Lewis, Charles Robert Maturin,… Read More ›
To a greater extent than any other literary form, the novel is consistently and directly engaged with the society in which the writer lives and feels compelled to explain, extol, or criticize. The English novel, from its disparate origins to… Read More ›
The term “fantasy” refers to all works of fiction that attempt neither the realism of the realistic novel nor the “conditional realism” of science fiction. Among modern critics, the primacy of the realistic novel is taken for granted. Realistic novels… Read More ›
Stephen King (born. September 21, 1947) may be known as a horror writer, but he calls himself a “brand name,” describing his style as “the literary equivalent of a Big Mac and a large fries from McDonald’s.” His fast-food version… Read More ›
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