The high-culture tradition is essentially a conservative one. It encompasses a defence of a narrowly defined high or elite ‘culture’, in the classic sense of Arnold’s ‘the best that has been thought and said’ (Arnold, Culture and Anarchy, 1869). This… Read More ›
The play between mythological and modern significance, between mystical and scientific visions of horror and unity, sexuality and sacred violence, is focused in the figure of the vampire. In Mary Braddon’s ‘Good Lady Ducayne’ (1896) the vampire theme signals the… Read More ›
The critical race theory (CRT) movement is a collection of activists and scholars engaged in studying and transforming the relationship among race, racism, and power. The movement considers many of the same issues that conventional civil rights and ethnic studies… Read More ›
Mass culture is a pejorative term developed by both conservative literary critics and Marxist theorists from the 1930s onwards to suggest the inferiority of commodity-based capitalist culture as being inauthentic, manipulative and unsatisfying. This inauthentic mass culture is contrasted to… Read More ›
Popular culture has become segmented into a myriad of forms, genres, audiences, tones, styles and purposes, so much so that it cannot meaningfully be talked about as a monolith. While some so-called ‘popular culture’ is produced en masse (and has… Read More ›
The term queer has often puzzled outsiders.Why call yourself that? This too has its story. For a long time queerwas, of course, a derogatory term for male homosexuals. That began to change when it began to be widely used in… Read More ›
Cultural studies of fashion have been, for the most part, less concerned with formulating broad theories of fashion than with observing its social uses in relation to broader issues of social power. Two early influences on this work were the… Read More ›
Foucault’s archaeological and genealogical studies both indicate that, rooted in institutional practices, discourse evolves distinct configurations which oppose ruling class aims but still regulate the body, institutions, and even society. This contingent, historical view of discourse repudiates the Althusserian opposition… Read More ›
University of Calicut V Semester B.A. English Core Paper Methodology of Literature (EN5B03) Methodology of Literature PDF (To Download the Material Click on the Above Link) Topics Covered Russian Formalism, New Criticism, Archetypal Criticism, Myth Criticism, Deconstruction, Poststructuralism, Reader Response… Read More ›
A LADY VANISHES Towards the end of Rue Ordener, Rue Labat (1994), the terse and elegant autobiographical fiction she wrote just before terminating her life, Sarah Kofman (1934-94) inserts a brief episode relating her admiration for Alfred Hitchcock’s The Lady… Read More ›
Of all the film-philosophies of the twentieth century, it is perhaps Deleuze‘s that is most of the cinema. It attempts to belong to cinema rather than simply be about it. It shows us film thinking for itself. The magnanimity Deleuze… Read More ›
Whilst fascist dictatorship in Italy came to an abrupt end near the close of the Second World War, a fascist regime continued to rule in Spain up till the death of General Franco, in 1975. After that, a gradual process… Read More ›
Between 1922 and 1943 Italy was ruled by a fascist dictatorship which used mainstream cinema as a means of disseminating officially sanctioned conceptions of national identity. A national regulatory body, the Direzione Generale della Cinematografica, was established in 1934 in… Read More ›
We need the excuse of a fiction to stage what we really are. (Slavoj Zizek, in The Pervert’s Guide to Cinema [dir. Sophie Fiennes, 2005]) Would you allow this guy to take your daughter to a movie? Of course not…. Read More ›
Fredric Jameson is among the most prominent theorists of postmodernism and one of the foremost Marxist critics of his generation. In Postmodernism, or the Cultural Logic of Late Capitalism (1991), film occupies a central place in his account of the… Read More ›
Unlike a number of his contemporaries, Jean Baudrillard (1929-2007) does not provide a single, systematic theory of cinema. Instead, his comments are scattered across a range of works, taking the variant forms of brief asides, longer analyses and remarks made… Read More ›