PAPER II ENGLISH CODE N03017
UGC CBSE NET ENGLISH EXAM NOVEMBER 2017 ANSWER KEY
PAPER III ENGLISH CODE N03017
UGC CBSE NET ENGLISH EXAM NOVEMBER 2017 ANSWER KE1
PAPER II ENGLISH
CODE N03017
Q. NO | ANSWER | Q NO | ANSWER |
1 | 4 (b) and (d) | 26 | 2 The Return of the Native |
2 | 2 Fear No More…. | 27 | 3 Octosyllabic Couplets |
3 | 2 (b) and(c) | 28 | 4 It is prescribed to the poet…. |
4 | 2 Stanzas from Grande Chartreuse | 29 | 4 Antonomasia |
5 | 4 Ernest Hemingway | 30 | 2 Alias Grace |
6 | 2 Francis Quarles | 31 | 3 Sailing to Byzantium |
7 | 4 Don Juan | 32 | 1 Pip |
8 | 1 Religion of a Doctor | 33 | A Migrtion(?) |
9 | 1 Kamala Shamsie Home Fire | 34 | 1 Piggy |
10 | 1 (a) and (b) | 35 | 1 the Summoner |
11 | 3 Abraham Cowley | 36 | 3 Temper |
12 | 2 Litotes | 37 | 2 (iv), (ii) (i) (iii) |
13 | 2 William Blake | 38 | 4 The Crimean War |
14 | 2 Looloo | 39 | 2 Typological Criticism: Theory of Types |
15 | 2 Cleanth Brooks | 40 | 3 Remrandt |
16 | 4 Pastoral Eclogue | 41 | 3 Cousin |
17 | 3 Ben Jonson | 42 | 3 Miss Bates |
18 | 3 Judith Wright | 43 | 1 Jacques |
19 | 1 Surinam | 44 | 3 Ganges and Humber |
20 | 1 Robert Bridges | 45 | 2 Epizeuxis |
21 | 3 Philip Sidney’s Arcadia | 46 | 4 Memory scattering like the beads |
22 | 4 Charlie Chaplin(?) | 47 | 2 Richard Crashaw |
23 | 3 Court of Chancery | 48 | 1 (iv) (iii) (i) (ii) |
24 | 4 Its priesthood which… | 49 | 2 (d) and (b) |
25 | 1 Geraldine | 50 | 2 The Swamp |
PAPER III ENGLISH
CODE N03017
Q. NO | ANSWER | Q NO | ANSWER |
1 | 3 Beppo | 51 | 2 After a reading of a maxim by la Rochefoucauld |
2 | 2 Toru Dutt | 52 | 1 (a) and (b) |
3 | 2 A Game of Chess | 53 | ? |
4 | 4 Multinational | 54 | 1 The Two Gentleman of Verona |
5 | 1 Peppermint | 55 | 4 Intuition (?) |
6 | 3 1933 | 56 | 3 Associate Language |
7 | 1 Volume III | 57 | 2 The Tatler |
8 | 4 (b) and (d) ? | 58 | 3 Inductive Teaching |
9 | 2 Chair | 59 | 3 Rukumani |
10 | 1 Charles Wilkins | 60 | 4 Literature encompasses all cultural… |
11 | 3 The Second Shepherd’s Play | 61 | 2 (b) and (d) |
12 | 1 (a) and (c) | 62 | 1 English for Specific purposes(?) |
13 | 2 The Mad Monk | 63 | 3 Billy Budd |
14 | 3 Laura, who goes to the market again… | 64 | 4 Christopher R King |
15 | 3 Newgate | 65 | 1 He takes out a large loan to enable… |
16 | 4 Bora Ring | 66 | 3 (iii) (iv) (i) (ii) |
17 | 3 A Photograph which proves… | 67 | 4 Master Nicholas of Guildford |
18 | 1 A heroic tragedy in rhymed couplets.. | 68 | 3 The Chiming of the bells announcing Easter |
19 | 3 Byron | 69 | 2 The Shadow Line |
20 | 1 Both (A) and (R) are true..(?) | 70 | 2 An Arundek Tomb |
21 | 4 Yorkshire Moors | 71 | 2 Critics should not look for portrait of real people in the play… |
22 | 3 Roses in December | 72 | 3 Holy Sonnet 17 |
23 | 1 The Kings James Bible | 73 | 3 A Natural Environment |
24 | 2 Paneloux interprets the plague… | 74 | 4 (c) and (d) (?) |
25 | 3 The Knight’s Tale | 75 | 2 Irrespective of the place….. |
26 | 4 The Writing Hypothesis | ||
27 | 1 Pantomine | ||
28 | 2 All Truth claims can be…(?) | ||
29 | 2 Michael Long | ||
30 | 2 (b) and (c) | ||
31 | 4 (iii) (iv) (ii) (i) | ||
32 | 2 Charles Dickens | ||
33 | ! (c) and (d) | ||
34 | 2 Amede or How to Gert Rid of It | ||
35 | 2 Rasselas in Samuel Johnson | ||
36 | 3 A Christmas Carol, In Memorium, Henry Esmond, Men and Women | ||
37 | 3 The Bear Came Over the Mountain | ||
38 | 2 Le Morte D’arthur | ||
39 | 2 The Freedom Movement(?) | ||
40 | 2 Guildenstern | ||
41 | 2 Anita Nair | ||
42 | 4 Elizabeth Barrett Browning | ||
43 | 3 Stephen Spender; W.H Auden | ||
44 | 2 Carl Solomon | ||
45 | 2 It is contrary to neoplatonic idea of decorum | ||
46 | 3 The Power of Yes | ||
47 | 3 Race | ||
48 | 2 Stephen is not doing his work because his glasses are broken | ||
49 | 3 Ceremony | ||
50 | 2 She sees her dead mother walking through the orchard |
Categories: UGC CBSE NET
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