The development of computer technology and the new versions of texts that are electronic texts to be read on screen rather than in the print form has had drastic impact in traditional literary studies. The influence of technology has always… Read More ›
Ecocriticism is the study of literature and environment from an interdisciplinary point of view where all sciences come together to analyze the environment and brainstorm possible solutions for the correction of the contemporary environmental situation. Ecocriticism was officially heralded by… Read More ›
Arising from the social turmoil of the 1960-s, Cultural Studies is an academic discipline which combines political economy, communication, sociology, social theory, literary theory, media theory, film studies, cultural anthropology, philosophy, art history/ criticism etc. to study cultural phenomena in various societies…. Read More ›
The term “hermeneutics”, a Latinized version of the Greek “hermeneutice” has been part of common Ianguage from the beginning of the 17th Century. Nevertheless, its history stretches back to ancient philosophy. Addressing the understanding of religious intuitions, Plato used this… Read More ›
In stark contrast to affective stylistics and to all forms of transactional reader response theory, subjective reader-response theory does not call for the analysis of textual cues. For subjective reader-response critics, led by the work of David Bleich, readers’ responses… Read More ›
Affective stylistics is derived from analyzing further the notion that a literary text is an event that occurs in time—that comes into being as it is read—rather than an object that exists in space. The text is examined closely, often… Read More ›
Unlike Wolfgang Iser who analyses individual acts of reading, Stanley Fish situates the reading process within a broader institutional perspective. In Is There a Text in the Class? (1980), Fish proposes that competent readers form part of “interpretive communities”, consisting of… Read More ›
Negating the Formalist notion of objective reality and autotelic text that nullifies the participation of the readers, Wolfgang Iser in The Implied Reader, follows the phenomenological theories of Husserl and Ingarden, and formulates two aspects of a literary work: the… Read More ›
Conceptualized by Hans Robert Jauss in his Toward an Aesthetic of Reception in the late 1960s, Reception Theory refers to a historical application of the Reader Response theory, emphasizing altering interpretive and evaluative responses of generations of readers to a… Read More ›